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Studies Services Pricing Fast Ethics Order SV

Graphic design

In-house study

Mark, type, poster, and surface. Design, not photography.

A vector lynx head in grey with a surprised expression, wide round eyes and an open mouth, on a pale blue ground.

The same lynx head laughing with squeezed-shut eyes and an open mouth, on a magenta ground.

The same lynx head with a thinking expression and its eyes turned upward, on a sand-coloured ground.

The same lynx head winking one eye and smiling, on a teal ground.

The same lynx head sulking, ears down and brow furrowed, on a dusty pink ground.

A vector poster of a geometric mountain landscape in flat layers of terracotta, orange and teal.

A prismatic burst of glass splinters radiating from a white core of light against solid black.

A grey sphere torn apart by horizontal slice displacement with magenta and green glitch noise, against black.

A cratered sphere cut through by a black slit, magenta and green streaks shooting out to the sides.

The word MAXOMARAI painted very large in flat black capitals on a raw concrete wall, a diagonal sun shadow across it.

Text → image · Generated · In-house study

An abstract glyph bent from neon tube on a dark brick wall: a closed circle cut through by a horizontal bar.

A macro of a bone-white woven label stitched into an indigo seam, a dark blue monogram at its centre.

An abstract mark cast in relief into a board-marked concrete panel: two interlocking rounded rectangles.

A stamp impression on off-white paper: a circular mark holding a simple geometric bird reduced to straight forms.

A macro of a letterpress business card in thick cotton stock, the bite of the press throwing real shadow in the paper.

Nine solid icons in a three by three grid on a cream ground, in navy with coral accents.

An app icon as a rounded square of thick frosted glass holding an up arrow, on a soft lilac gradient.

Five weather icons modelled as soft clay forms on a pale blue ground: cloud, sun, rain cloud, snowflake and lightning bolt.

A dense botanical repeat in a single dark green line on a warm cream ground, engraved leaves, buds and tendrils.

A black and white op-art field where concentric stripes of differing frequency overlap into a strong moiré.

The word FORM in enormous wood type capitals printed in dense warm black on thick cream cotton paper.

The word Studio bent from a single neon tube in script, mounted on a dark brick wall and glowing pink.

A macro of an oil film on dark water, thin-film interference throwing bands of magenta, cyan, gold and green.

The word ARKIV in gold leaf on a glass door, seen from outside with the street and a stair mirrored in the pane.

The word DAGENS hand-lettered in chalk on a well-used blackboard, a simple rule beneath it.

A seamless geometric pattern in the Bauhaus manner: quarter and half circles and right angles in red, ochre, navy and cream.

The word VERKSTAD chain-stitched in thick ochre thread on coarse natural canvas, in raking light.

A flat terrazzo pattern of angular chips in charcoal, coral, ochre and pale sage scattered across a warm white ground.

Five cast aluminium letters spelling ATLAS lying in sand on a dark workbench.

A large lowercase letter g in a serif face on a cream ground, its anatomy marked by thin coral leader lines and labels.

A riso poster where the word VARSALONG is set in large condensed capitals and printed twice, in fluorescent pink and blue out of register.

A Swiss-style poster on warm white: a hard red diagonal band across the sheet and the word UTSTALLNING in a grid at the lower left.

A weathered hoarding layered with pasted posters, a red sheet carrying a large letter K on top.

A poster behind glass in a backlit frame on a tiled underground wall, a red geometric shape and a figure mirrored in the glass.

A brutalist poster in black and acid yellow with the word NOISE repeated three times in massive capitals bleeding off the edges.

A studio wall pinned with nine posters from one family: bold flat shapes in ochre and dark blue on yellowed paper.

A two-colour riso poster with a simplified mountain range in teal and fluorescent orange overlapping, on grey paper.

A fox as a flat vector illustration built from simple geometric shapes in four colours, with no outline.

A character sheet on pale grey showing the same drawn figure in a coat and boots from the front, side and back.

A cel-shaded illustration of a young bicycle courier in a teal jacket with a bag across the chest, hands on the bars.

A botanical repeat in a single dark green line on a cream ground, leaves, flowers and seed heads in an engraved style.

A field of fine white contour lines on a dark blue ground, gathered to the sides and open in the middle.

A contour map in white lines on a dark blue ground, the lines closing around a form at the centre.

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A brand from Apache Film & Interactive Sweden.